Last Update: 30/01/2013 17:21
The Great Mace is one of the College's most powerful
symbols. It represents the authority of the College, and by
tradition it must be present whenever the authority of the College
is invoked, such as at meetings of the Council and at
Convocation.
When (Sir) Hugh Devine was visiting England on College business
in 1930, Lord Moynihan, then President of the RCSEngland, held a
dinner in his honour at the Garrick Club. At this dinner
Moynihan proposed that the Australasian College should have its own
mace (similar to the one he had presented to the American College
in 1920), and that he should take it to Australia and present it
himself. In return, Devine proposed that Moynihan should
deliver the inaugural Syme Oration.
The Mace was commissioned from Omar Ramsden (1873-1939), one of
the greatest silversmiths of his time, a leader of the Art Nouveau
decorative arts revival at the beginning of the 20th
century. Today, pieces by him are keenly sought by collectors,
and his work can be seen in many British and European
museums. Ramsden's records are held in the Library of the
Goldsmiths' Company in London. In one of the Order Books,
under the heading 'Australasian Mace', are the details of its
manufacture, including the craftsmen who worked on it, and all the
costs in code. The date of completion is recorded as 1 June
1931.
The Mace is 46½ in. (118 cm) in length. It is made of cast
and chased silver gilt, and the weight of silver is 189½ troy oz.
(5.894 kg). It is hallmarked, the four marks being the
initials OR, lion passant (925 or 'sterling' silver), leopard's
head (London assay), and the letter P (year code). It is
signed with the silversmith's customary legend Omar Ramsden me
fecit, at the end of the scroll on the shaft.
The crown end consists of a small version of St Edward's Crown,
with the orb supported on a pair of depressed bows. The bows are
fringed with briar, symbolizing the hard and thorny path to
greatness. On the cap under the bows are engraved the Royal
Arms of George V, surrounded by the dedicatory inscription The gift
of the President and Council of the Royal College of Surgeons of
England, as from brothers to brothers, MCMXXXII. The cresting
around the cap is made up of alternating Tudor roses (England) and
seven-pointed stars (Australia) on a field of wattle sprays and
fern fronds (New Zealand).
Below the crown is the cup or basket, on which are set four
coats-of-arms framed by oak trees. These arms represent
Australia, the RACS, New Zealand, and the RCSEngland
respectively. Above the arms of Australia are the
hallmarks. Around the top of this section runs the inscription
The Royal College of Surgeons of Australasia. This form of
name came about because, by the time the King gave his assent to
the College becoming Royal, the Mace was well advanced, with the
words "College of Surgeons of Australasia" already
incised. All that could be done was to insert the words "The
Royal" at the beginning of the inscription. At the bottom of
this section is a band of wavy relief known as "the waters",
symbolizing the sundering seas.
The cup is supported on six brackets cast in the traditional
form of consoles, with lions' heads and dragons' feet. These
stand on the first of three bosses along the shaft. Each boss
is studded with cabochons. The names of the President and
Councillors of the RCS for 1930-31 are inscribed on a scroll
running around the shaft, and the scroll is set on a field of
intertwined fern and briar rose. A second set of hallmarks is
stamped near the end of the scroll. At the end of the shaft
are the rudimentary remains of the old mace head, a bulge decorated
with leaves-of-woad, terminating in a fluted finial.
The Mace was carried free of charge by the Orient Line, although
primage (a percentage of the agreed value of the goods, paid to the
ship's owners) was levied. Classified as a work of art, it was
exempted from Australian import duty.
The Mace was presented at an impressive ceremony in Wilson Hall,
University of Melbourne, at the inauguration of the Annual Meeting
on 17 February 1932, in the presence of the Lieutenant-Governor of
Victoria and two thousand guests.
Moynihan was unable to attend, due to the ill-health of his
wife, and so he nominated Charles H. Fagge (RCS Vice-President
1929-30), who had been closely involved with the creation of the
Mace, to be present in his stead. The Mace was accepted by Sir
Henry Newland, who had succeeded Sir George Syme as President of
the College in 1929. In handing over the Mace, Fagge's words
were:
"And now, companion of my waking thoughts for many months,
farewell. You have I watched from earliest hours when, plate
of virgin silver, you gave yourself to be fashioned by the
craftsman's skill. Your every spray of wattle, every frond of
fern have come to life within my ken, and gradually, once a thing
inanimate, your spirit has entwined itself around mine. Today
we part, but it is my hope that your new friends will ever hold you
in their hearts, not only as a kingly emblem richly wrought, but as
a spirit of affection …… Stay here ever to watch their future, to
guide their aims, and to bless their destiny."
This ceremony over, Fagge then delivered the first Syme Oration,
and was admitted to Honorary Fellowship.
After its arrival, the Mace went on exhibition in Australia and
New Zealand. It was exhibited in the art galleries in
Melbourne and Sydney (three months each), Dunedin (two months) and
finally Christchurch, where its presence coincided with the Annual
Meeting on 7-8 September 1933.
Since then the Mace has been present at all the important
functions and ceremonies of the College. After more than half
a century of duty, it was in need of some attention, and in 1996 it
was repaired and regilded by Melbourne silversmith Peter
Gertler.